Author: Zuzanna Berendt. The four seasons motif in culture symbolize cyclicality — the constant process that tangles together death, decay, rebirth, and flourishing of the

Author: Jaka Bombač. A philosophically informed review of two performances seen in the context of the Drugajanje 2024 festival. In his book Exhausting dance: Performance

Author: Ingeborg Zackariassen. Upon entering the auditorium at Cricoteka, the audience was gathered in the foyer at the bottom of the stairs, receiving an introduction

Author: Emese Szabó. The Beyond Front@ project’s stipend for young critics was an important opportunity for me. In Romania, most of us consider critical work

Author: Emese Kovács. “Contemporary dance is too free” − said a high school-aged audience member after the dance performance of Milan Tomášik called Treatise at

Author: Ingeborg Zackariassen. As I look back on the Drugajanje Festival and the critic’s residency, I take inspiration from the title of the larger project Beyond

Author: Szymon Golec. it’s hard to start sometimes for me it’s even harder to end but we’re nowhere near the end Lia Ujčič and András

Author: Karla Mesek. Although the title of the performance may not reveal much, or perhaps nothing, about the performance itself, I choose the title as

Author: Emese Szabó. In the Transylvanian Hungarian theatrical culture, in which I was socialized, the tradition of repertory theatre is strong. When we look at

Author: Kata Demeter. Milan Tomášik’s Treatise, choreographed for the Krakow Dance Theatre, invites the audience on a dynamic exploration of the intersection between visual art,