
Nowhere Like Here
Author: Laura Tóth. I took part in a five-week and a three-week creative process with choreographer Francesco Scavetta in Sweden. Surrounded by forest, Vitlycke is
The Beyond Front@: Bridging Periphery (2023-2026) project, co-funded by the Creative Europe Culture Programme, aims to strengthen the contemporary dance scene in Central Europe. By connecting and supporting artists, managers, festivals, and institutions from six countries—Sweden, Poland, Romania, Croatia, Slovenia, and Hungary—the project seeks to enhance the visibility and social impact of contemporary dance. Its key focus areas are collaborative strategies, capacity building, and sustainable cultural production, with an emphasis on training and regional visibility.
Author: Laura Tóth. I took part in a five-week and a three-week creative process with choreographer Francesco Scavetta in Sweden. Surrounded by forest, Vitlycke is
After its September premiere in Sweden, Nowhere Like Here – a new international dance production – continues its journey across Europe this autumn. The performance
This autumn, the Central Europe Dance Theatre will present Four Seasons — a captivating performance choreographed by Maciej Kuźmiński — in Romania and Hungary. Central
The Dance Communication Lab at Vitlycke-CPA in Sweden, organized within the Beyond Front@: Bridging Periphery project, will take place from 25 to 27 September 2025.
The trailer for M Studio’s performance Dirty Dancing, choreographed by Eryk Makohon, has just been published on their YouTube channel. The performance Dirty Dancing, choreographed
The Dance Communication Lab in Ljubljana, organized by Bunker, will take place from 26 to 28 August 2025 within the framework of the Mladi Levi
Author: Emese Kovács. Life’s cycle never truly halts, and there’s little way to escape the grip of social pressure and embeddedness — at least, that’s what
Author: Ingeborg Zackariassen. Arriving in Zagreb in May meant stepping straight into the overlap of two collaborating festivals: Balkan Moves and Dance Week Festival. Packed audiences
Author: Zuzanna Berendt. The four seasons motif in culture symbolize cyclicality — the constant process that tangles together death, decay, rebirth, and flourishing of the
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Co-funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.
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