The Beyond Front@: Bridging Periphery (2023-2026) project, co-funded by the Creative Europe Culture Programme, aims to strengthen the contemporary dance scene in Central Europe. By connecting and supporting artists, managers, festivals, and institutions from six countries—Sweden, Poland, Romania, Croatia, Slovenia, and Hungary—the project seeks to enhance the visibility and social impact of contemporary dance. Its key focus areas are collaborative strategies, capacity building, and sustainable cultural production, with an emphasis on training and regional visibility.
From March 20 to 22, M Studio will host a Dance Communication Lab (DCL) workshop in Sfântu Gheorghe, Romania, as part of the Beyond Front@: Bridging
M Studio will present Dirty Dancing, a performance created by Eryk Makohon, the choreographer of Krakow Dance Theatre, in Krakow on 18 April 2026, hosted
Krakow Dance Theatre announces an international open call for participation in the dance showcase programme “Rollercoaster. Collectors of Sensations”, organised in collaboration with the Centre
The Beyond Front@ Learning & Exchange Symposium in Sweden, hosted by Vitlycke – Centre for Performing Arts, took place from 20 to 21 February 2026.
The video summary of the Dance Communication Lab in Krakow, 2025 was recently published on the Krakow Dance Theatre’s YouTube channel. Dance Communication Lab is
The Central Europe Dance Theatre will present Four Seasons, a performance choreographed by Maciej Kuźmiński, in Sweden on March 14, 2026, hosted by Vitlycke –
The final report of the Dance Critics’ Residencies and Stipend Programme is now available. This comprehensive document traces the journey of emerging dance critics within
Author: Jaka Bombač. The Beyond Fronta Critics’ Residency program gave me the chance to get acquainted with other performance art critics as well as with different
Author: Nora Čulić Matošić. My journey with Beyond Fronta project started in September 2024 Krakow with a week-long residency hosted by Krakow Dance Theatre. Alongside other
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Co-funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.
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