
Dance Critics’ Residencies and Stipend Programme: Final Report
The final report of the Dance Critics’ Residencies and Stipend Programme is now available. This comprehensive document traces the journey of emerging dance critics within

The final report of the Dance Critics’ Residencies and Stipend Programme is now available. This comprehensive document traces the journey of emerging dance critics within

Author: Jaka Bombač. The Beyond Fronta Critics’ Residency program gave me the chance to get acquainted with other performance art critics as well as with different

Author: Nora Čulić Matošić. My journey with Beyond Fronta project started in September 2024 Krakow with a week-long residency hosted by Krakow Dance Theatre. Alongside other

Author: Emese Kovács. As one of the dance critic stipend holders of the Beyond Front@ project from November 2024 to November 2025 I attended a total

Author: Ingeborg Zackariassen. Participating in the Beyond Front@ project during 2025 has been deeply valuable for my artistic and journalistic practice. The stipend allowed me to

Author: Zuzanna Berendt. Between February and November 2025, I took part in the Critic’s Residency programme as a participant selected by the Kraków Dance Theatre. During

Author: Nora Čulić Matošić. From the moment I first saw the promotional photos of the latest piece conceptualised and choreographed by Francesco Scavetta and having read

Author: Nora Čulić Matošić. Devised and directed by Eryk Makohon, Dirty Dancing was my favourite show from the latest edition of Sissi Dance Week in

Author: Ingeborg Zackariassen. In the world of Contemporary Dance, there is one word we all seem to use a lot: Process. But what does it actually

Author: Ingeborg Zackariassen. Sissi was the nickname of Empress Elisabeth of Austria, who became the Queen of Hungary in 1867. A festival named after a monarch,
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